For what other job (or in my case, one of several jobs) do you have to get up at 3 in the morning so you can finish a lifelike severed head (or in my case, totally still fail to finish it)? (No worries, SF Playhouse; I'll stick the hair on and gory it up for tomorrow.)
This is one reason improv is much easier: no pulling all-nighters for props. As we move into Un-Scripted: unscripted, this is one thing I remain totally thankful for. (I think we almost pulled a couple of all-nighters for the Shakespeare set -- CHRISTIAN -- but it was supercool and we've already used it again. :o)
On the other hand, I now have intimate knowledge of life-casting using silicone, and of some liquid latex artistic usage. (AND of how stupid one feels when one has inadvertently entombed one's eyebrow and eyelashes in purple silicone, and must resort to tiny scissors to remove both the aforesaid eyebrow and eyelashes, AND the giant purple floppy mold of half one's face that is dangling from one's severely watering eye. Good thing I tried it on myself before I tried it on the 13-year-old! You really do have to use quite a lot of vaseline.)
Plus, latex is a medium you can use to make puppets with. I mean, new art techniques are ALWAYS useful.
Come see Landscape of the Body at the SF Playhouse to see my handiwork! And also, handily, see *by* my handiwork, since I also hang the lights there.
Master Electrician out!