Saturday, October 31, 2009

Bollyween Movie of the Halloweek: Gumnaam

Because I'm sick sick sick today this Halloween (boo), instead of afternoon-Halloween-partying with roommates I'm at home with anguished lungs (boo), and I *finally* decided to watch this movie, lent to me by my pal Rebecca Stockley (hi Rebecca!). And it was WAY more Halloween-appropriate than I thought. So, with strange delirious Halloween glee, I present you with:

Gumnaam, 1965

Directed by: Raja Nawathe

Produced by: M.A. Madhu and N.N. Sippy

Starring: (in the era of the one-named star) Nanda, Manoj Kumar, Pran, Helen, Mehmood, Dhumal, Madan Puri, Tarun Bose, Manmohan, Naina

It's Kinda Like: Lost meets Agatha Christie meets Horror Movie with a Castle (parts reminded me of Young Frankenstein, even!), with a dash of Gilligan's Island

This movie is WEIRD. I guess it was 1965, what do you expect? The trailer proclaims it to be "India's First Suspense Thriller in Eastman Color," confusing -- is that a claim to fame, or just Eastman's claim to fame? Anyway -- it's a strange, looong, meandering thriller that owes a lot to Agatha Christia's manor-house style murder mysteries (Wikipedia mentions 10 Little Indians as an "uncredited" writing credit). Above all, I think I found it fascinating, if anything.

Rebecca bought the movie because they became fascinated with it, as did many Americans, after seeing one of its musical numbers as featured in the movie Ghost World:


This is actually the first musical number in the film, and it's almost the first thing that happens. (Note: this is NOT the weirdest musical number in the film.) A big bummer is that for whatever reason, lots of old Bollywood movies don't subtitle the songs, so you *still* don't know what's going on. Still, if they're staged appropriately, you can pretty much get the gist: "We're drunk and it's hilarious!" "C'mere, baby, I think you're cute!" "We're so in love!" or in the case of the opening number, "Jan Pehechaan Ho" apparently means, "Let's get to know each other!"

The crazy staging of this song is basically an excuse to set up the plot: seven strangers win a fabulous vacation on a chartered flight -- but oops, they're mysteriously stranded! Wandering through what seems to be a deserted island, they happen upon an opulent manor in the middle of nowhere. Yowza!

Of course, they find out that they've all been wrangled there for some purpose: all of them are criminals and will be picked off one by one! There's no host that they can see ("Gumnaam" apparently means "no one," or "lost one"), but taking care of their physical needs is a childish, clownish butler in a stripy T-shirt and plaid dhoti -- who seems to be mimicking India's Charlie Chaplin, Raj Kapoor. [edit: Google Books reveals a memoir from Mahmood, the actor, who confirms that indeed he's mimicking Raj Kapoor, Prithviraj Kapoor, and Randhir Kapoor. go me!]

The other things perfect for a campy Halloween viewing include a ruined church, a ghostly female voice, strange noises in the woods, and some bizarre comic wordplay -- and romance. Like lots of Bollywood films, this one's got something for everyone: love, comedy, danger, terribly-staged '60s fights (I'm stepping on your foot! No, I'M stepping on YOUR foot!), and oh yeah, the suspense plot -- people are dying! who's the murderer? why is no one who they seem to be? What is up with that 5-minute sequence at the beginning of the film where the guy gets murdered?!?

They don't seem terribly concerned by this whole murder thing, until people actually start dying. They're too concerned with ordering food, wandering around looking at the island, going swimming and gogo dancing on the beach, and chasing the Mary Ann ("Asha") and Ginger ("Miss Kitty") characters.

The plot -- and the film -- move at a pace common to movies of that era, where the shots are all so loooooooooooooong, and some of them are realllly reduuuundant. Yet, apparently this film was a box office hit. It takes its sweet time -- but on the other hand, it takes the time for people to really examine their situation: how would people trapped in this situation *actually* feel? Asha confides to her newfound love that before, she didn't really have a reason to fear death -- until now that she's got someone else to live for. Awwww.

The Verdict: Campy, confusing, and fascinating. Clearly not the best film ever -- but maybe for a group viewing with lots of heckling and drinking.

And okay: THIS is the weirdest musical number in the movie.
Hum Kale Hain Toh Kya Hua song - Gumnaam

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