Mandy's Blog about things improv-related or improv-inspiring . . . like Bollywood Movie of the Week! And puppets.
Wednesday, October 14, 2009
Bollywood Movie of the Week: Dostana
Dostana, 2008
Directed by: Tarun Mansukhani
Produced by: Karan Johar, Prashant Shah
Starring: John Abraham, Abhishek Bachchan, Priyanka Chopra, Bobby Deol, Kirron Kher (world's best Bollywood mom!)
Notable songs: Desi Girl, Shut up and Bounce, Jaane Kyun, Khabar Nahi
It's Kinda Like: Three's Company (but in reverse) meets Friends, with a dash of Ugly Betty, and a tinge of Green Card.
Dostana, which means "Friendship," is a unique Bollywood film: it's the first Indian film in which issues of homosexuality, specifically male homosexuality, are not comic relief but instead the main plot. For India, this is a Big Fat Deal: homosexual sex was a criminal act until 2009. THIS YEAR. AFTER this movie was made. (It's also the first Indian movie filmed entirely in Miami, but that's less exciting -- though probably necessary, given the subject matter.)
It's a little racier than you might be used to in a Bollywood movie, too. But I saw it right when it opened, in a packed theater, and the audience totally loved it. The scenes where our heroes are discovered in Accidentally Compromising Positions got slightly *more* laughter than felt comfortable to me in the theater -- but we can cut India some slack.
It's a high-budget, slick modern campy comedy about hilarious attractive people who are too wealthy to have *actual* problems: the best kind of escapism! I totally enjoyed it; it's a little silly, but the comedy bits are very funny and the chemistry between the two male leads is fantastic. Abhishek Bachchan steals the show.
Let's be clear: none of the main characters are *actually* gay, which is established in one of those unexpectedly adultish sequences, after the opening credits. Nothing you wouldn't see in an American movie -- or even on TV -- but for Bollywood, it's like whoa!
Here's the very *first* thing you see of the movie: the title credit sequence, which neatly sums up the in-your-face sassy hawtness they wish to establish (starring Shilpa Shetty as the Item Girl -- she's just in this song, not the rest of the movie):
In this crazy fast world of Miami, the two main characters, Samir (Abhishek Bachchan) and Kunal (John Abraham) are both Indian expats, both coincidentally needing a place to live. They've met before (in the hilarious opening sequence after the credits) and they meet again, in an astronomically unrealistically awesome apartment for rent. But Aunty (played by the HIGH-larious baby-faced Sushmita Mukherjee) won't let any boys live there. No Boys Allowed!
The apartment is just too awesome to pass up, so they reluctantly decide to do something CRAZY: play gay in an attempt to get another chance at the rental. Only later do they discover that the *actual* tenant is not Aunty, but her superhot niece Neha (Priyanka Chopra). Oopsie!
Plus, despite the boys' mutual desire to spread the news of their gayness in order to protect their precious reputations, circumstances (Aunty's nosiness, residency papers, Neha's gay boss, etc) mandate that they "come out" to pretty much everyone. I'll let you imagine the eventual fallout (hint: someone in the cast is playing someone's MOM). Plus, they're both in love with Neha! Awwwkward. The boys make the best of it, and from the first, they spend absolutely every second together, and soon become a trio of best friends. Awwwww! Watch the adorableness as they first move in together (and check that apartment! crazy, right?):
As India's first gay movie, Dostana is definitely a maverick. Sometimes, like mentioned above, I wasn't sure whether I should be slightly offended sometimes on behalf of the gay community -- the gay characters are a little on the stereotypical flaming side -- but then again, it's Miami, right? And you do have to cut India some slack: confronting homophobia is a Big Deal! The characters in the film are indeed forced to confront personal prejudices -- though it's *definitely* a comedy first and foremost, not an "issues" movie. (The flashback sequence where the boys attempt to describe how they met may be campy, but it's also *so funny.*)
Anyway. I totally enjoyed it, in that "guilty pleasure" sorta way. Definitely a "fantasy" that takes place in Glamour World: Neha is a mucky-muck at an international magazine, Kunal is a fashion photographer, Sam is recently arrived from a posh life in London. The plot ventures slightly into the sappy and unrealistic at times (derrr, Sam, did you hire a professional photographer to take those pictures of you and Neha "alone?" Whaaaaa?) -- but that's excusable in the "sitcom" genre, which this film definitely falls into. Situational Comedy!
There are some high-larious references to other Bollywood pop culture (what Bollywood movie doesn't do this? as my roommate Heraldo said ironically upon watching this movie, "So I guess the second Bollywood film ever made, referenced the first one, and so on."), including a very funny scene mimicking Kabhi Khushi Kabhie Gham -- you don't have to get them to have the movie make sense, but it definitely adds to the modern Pop-Culture-Savvy Sitcom feel of this movie, overall.
Verdict: A "chick flick" about boys -- with hot chicks in it. Very funny and probably enjoyable for the general public. Plus, watching it makes you feel like you're helping the world become better people!
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2 comments:
When I was in India last year, there were commercials for this everywhere (although all the posters and billboards I saw in Tamil were for the James Bond movie), and every cab we rode in in Delhi was playing "Desi Girl." In Agra, our tour guide would sing along whenever the song came on the radio. Haven't rented the video yet. Hey, did you notice any scenes directly lifted from Mike Nichols "The Birdcage" from 1996?
Hi Tim!
I've seen "The Birdcage" a whole bunch of times and did *not* detect any scenes lifted for "Dostana" . . . unless they were just being subtle. And "Dostana" is not exactly a film that carries itself on subtlety. ;o) I mean, the costumes are about as ridiculous as they were in "The Birdcage," but that's as far as I'll go.
And "Desi Girl" is THE song to choreograph dances to, these days . . . I made a dance for someone's wedding, and had to fend off another group of people who also wanted me to teach them a dance to the same song, for the same wedding (no competing with the BRIDE, people!). And my roommate has choreographed at least two dances to that song for two different groups. I think the song is now officially banninated from the house.
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